Living in St. Jude, a 110-year-old dying city on the edge of the Mississippi, is tough. But when a letter informs fourteen-year-old Cinque Williams of the passing of the father he never met, he is faced with an incomplete past and an uncertain future. A curse meant for his father condemns Cinque to a slow death even as it opens his eyes to the strange otherworld around him. With help from the ghost Willy T, an enigmatic White Woman named Iku, an African Loa, and a devious shape-shifter, Cinque gathers the tools to confront the ghost of his dead father. But he will learn that sometimes too much knowledge can be dangerous—and the people he trusts most are those poised to betray him.
Nominated for the 2012 San Diego Book Awards.
First four chapters are free, depending on how good you are at solving puzzles.
Reviews – What’s Being Said About Tone Milazzo & Picking Up the Ghost
African magic and folklore color this unusual coming-of-age story . . . . [T]his debut entertains with an original approach and mix of breezy humor and dark fantasy.
If Salvador Dali were an author, his work might resemble Tone Milazzo’s Picking Up the Ghost. Okay, maybe Milazzo’s book has a little more structure than Dali’s melting pocket watches. But there is no doubt that Milazzo can paint a world with words, and the surreal setting he created for this coming-of-age adventure is both dazzling and terrifying. . . . [E]ven if you’re not an urban fantasy fan, I definitely recommend this book. Milazzo has unique style that is downright weird, but has a literary quality to it. I think we can expect more great stories from him.
It was an amazing Con. I learned a lot and got to see Con friends. Spike’s brain was ripe for the picking on Tumblr techniques. Accidentally wandered into the Grant Morrison Multiversity panel, scored a Map of the Multiverse, and turned it into Reddit Karma. Bore witness to a recording of Pop Culture Happy Hour. Possibly broke a toe on Saturday morning. Did that stop me from walking the Con floor for the weekend, fuck no it didn’t. Of course the one TV panel I wanted to get into left me standing outside, typical Venture Bros.
The Pro Lounge used to be a barren wasteland of free coffee and empty tables, but this year I met someone every time I stopped for a rest. I’m going to spend more time there next year.
The high point, what really recharged my battery: I asked Geoffrey Thorne about leveraging my novel work into comic and TV mediums. His said not worry about that, keep producing quality content and the work will find you.
I’d better get back to writing.
I haven’t posted much since the Conference. There’s hasn’t been much to post. I really don’t do much except work and write. And the world doesn’t need another word count tally.
I had half an insight while writing The Faith Machine: A protagonist was going to die in the first act to show the stakes were high. For this purpose I created Gabby, the hillbilly with poor impulse control who could force a crowd to listen to her talk. But Gabby grew on me. I saw potential to use her throughout the story and stories beyond.
So Gabby got a say of execution. But I still wanted someone to die. So I created 97:4, the Bible-banging electrokinetic with pica. But she grew on me too. Lesson learned;
I make awesome characters that should never die disposable heroes aren’t my thing. Maybe that’s why I fixate on characters who died before their full stories played out, like Thunderbird and Swordsman.
Maybe so, maybe not. Either way, that’s a blog post. See y’all at Comic Con!
I heard the SDSU Writers’ Conference was a good place to land an agent, and that was my agenda. The place was crawling with industry professionals and I did get some interest from one of the advanced readings, but for the most part I’ll have to chalk this one up as a learning experience.
On Friday there were panels on pitching and query letters. I needed a pitch, so that panel was really useful. As for the query letter panel, well I can’t trust anyone who has never seen Star Wars.
Saturday was the day for advanced readings. I sent in 10 pages and $50 dollars for some face time with some agents. One liked the concept of The Faith Machine enough to ask for more. Boom! But all of them said my opening was too exposition heavy. Point taken. I rewrote the first scene with less back story any more animosity. That was a valuable bit of feedback and the rewrite will strengthen a weak plot thread.
I also met a few cool, speculative fiction writers, other attendees. And I attended a few panels that didn’t tell me anything new, but it was good to know that my knowledge of social media and blogging is still up to date.
I’d thought that being published would have given me a bit of a leg up, put me in a position where to attract an agent as a proven writer. But no, I’m probably still going to have to write the second book on spec before most agents will consider a look. However, of all the agents that I pitched too, none of them said that it was a dumb premise and should be abandoned so I got some encouragement out of it, that was worth $600 right there.
In Liberia, Park allows street urchins to pick his pocket while on his way to the US Embassy. Inside, he uncovers information on an abandoned facility that might be the Faith Machine installation as well as information on The Baptist, a local religious leader who may be at odds with whomever is operating the Faith Machine. Outside, he’s confronted by the teen-age leader of the street urchins. The oldest boy’s face is covered in blue from the dye pack that was in Park’s wallet. Park cons the teen out of his knife and recruits the two child pickpockets as guides. They set off to find The Baptist’s ministry in the slum of West Point.
In a luxury hotel Isaac wins a game of poker against wealthy Liberians and Chinese businessmen. After the game he’s threatened by four rough looking thugs from General Mamba, a warlord turned crimelord left over from the civil war. They intend to kidnap him. Isaac calls their bluff, they won’t try anything inside the casino. He casually tosses his poker winnings in the air, escaping in the chaos.
In Kentucky, the team’s newest agent, Gabby, is in a domestic dispute, chasing her ex-boyfriend down a dirt road with an ax. In her anger she’d forgotten that she has the power to stop him in his tracks by talking to him.
In Atlanta, Park and Ainia find Agent Isaac Deal in his luxury apartment, expertly playing a sitar, an instrument he’s never practiced or purchased. Isaac acquired the sitar, and the ability to play it, by mimicking the skills of his neighbors. Park appeals to Isaac’s vanity, and he agrees to come along.
In Cincinnati, Agent 97:4 feels that she can do more good working in a soup kitchen than she can aiding Project Dead Blind, especially after their disastrous last mission. Anticipating her reluctance, Park has 97:4′s family Bible, and the promise of being close to the book compels her to accept the mission.
In Pennsylvania, they find Agent Pollyanna trying, and failing, to use her power of positive thinking to rig the lottery in her favor. She’s too cynical and self-hating, her power turns against her. Pollyanna agrees to the mission for the money.
The teenage Agent Exposition Joe slides into Park’s backseat and accepts the mission with the grace of someone who sees the future. Ainia has misgivings about Joe’s loyalty.
In a Washington DC park, Agent Ken Park (imagine John Cho as James Bond) receives his orders from his spymaster, James Ensign. Ensign has spent years investigating the Faith Machine, a series of Soviet installations that weaponize religious beliefs, and has uncovered the last remnant of the program in Africa. While Ensign follows a lead in China, Park will go to Liberia, a country still recovering from years of brutal civil war, and he’ll be taking Project Dead Blind’s six primary agents with him.
Park travels around the country activating his agents. In Philadelphia, his second in command, Agent Ainia, is working her day job as a stunt-woman. A Latina who believes she’s a reincarnated Amazon warrior with the grace and brutality to prove it. Ainia is eager for some real action. She accompanies Park as he contacts the others.
I just discovered Facebook messages have a spam folder:
“Dear Milazzo, l am barrister Richard Edewor the personal adviser to Late Mrs.Zinaida Milazzo(a nationality of your country who has same last name with you) ”
Is ‘Milazzotopia’ really that hard to spell?
A new year and a new phase for The Faith Machine. Finished the outline and the first three chapters yesterday. I’m waiting on some last feedback for the chapters before I submit. I plan on posting the chapters to my Deviantart account, in the meantime here’s the query letter:
The Faith Machine is a science fiction tale of international action, espionage and E.S.P. Imagine James Bond leading the Alphas against a being that claims to be God.
Ken Park is the field commander of Project Dead Blind, a team of powerful, but unruly, psychic government agents, sent on an investigation of the remnants of a Soviet psychotronic weapon program in Africa. But the investigation goes bad, and the agents find themselves scattered and pursued by the FBI, China’s 13th Bureau, a cult of America’s political elite and the mysterious Casemen armed with weaponized brains. They dodge arrest and murder while figuring out what put them on everyone’s hit list, undertaking an investigation that leads them to an underground laboratory in North Korea.
My first novel, Picking Up the Ghost, was published by ChiZine in 2011, is available as an audio book on Audible.com and was optioned for film by Breaking the Cycle Films LTD.
Thanks for your time and consideration. I hope to hear from you at your earliest convenience.
Sincerely, Tone Milazzo
San Diego Comic Fest 2013 is over and I have my life back. Let me tell you, after being on the inside of a convention at Assistant Programing Director I’m never complaining about a convention ever again, either as an attendee or panelist. I’ve seen how the sausage is made.
I landed on four panels overall:
Comics You Should Be Reading I did a similar panel last year and now I’m out of current comics to recommend. If I try again next year it’ll be “Comics You Should Have Read but can’t because the came out years ago and haven’t been collected in trade.”
The Implications of Supermen and Superwomen in the Real World was fun, but ultimately as futile an exercise as being a superhero comics fan. Steve Barnes is a very smart guy.
How Do I Draw This Which I was in no way qualified to be on, but none of the artists wanted to moderate and I knew enough about how comics work to keep the conversation going. Russ Heath’s hearing aid was dying so he’d answer whatever question he thought I asked, the guy is hilarious.
And then I filled in on Writing in Someone Else’s Universe where I asked Marv Wolfman and Nancy Holder about specific problems of writing freelance and their answers were almost always “You suck it up and you do it.”
And now, a weekend of sleep.
I know I’m supposed to blog more but it’s almost been two years since Picking Up the Ghost and it’ll probably be another two before The Faith Machine sees print. So building an audience doesn’t feel like a real priority. The more blogging I do, the less writing gets done. And between the day job, night classes, the PMP certification and working with Comic Fest, time for writing has gotten precious.
That said, writing is happening. I’m 56 pages into the current draft/redraft. Melissa and I were invited into a new writer’s workshop which means I have to produce ten or so pages every two weeks or I feel like a slouch.
Workshopping as I go has already been helpful. On Ghost I pounded out the whole novel without any input. Consequently, when it hit the workshop I had to rewrite the second half. On Faith I’ve already cut three scenes that failed to move the plot forward resulting in a faster moving story. The feedback has also made me take a closer look at some of the scenes that remain. Did I really need the Soviet clones, frozen brains of psychics, the Gnostic poem and the personality upload operation all in the first 6 pages? Nope.
On the horizon, a deadline looms. I plan to land an agent at SDSU’s Writers’ Conference in January. Having at least 40 polished pages ready to go is part of that plan.
So less blogging, more writing.