Living in St. Jude, a 110-year-old dying city on the edge of the Mississippi, is tough. But when a letter informs fourteen-year-old Cinque Williams of the passing of the father he never met, he is faced with an incomplete past and an uncertain future. A curse meant for his father condemns Cinque to a slow death even as it opens his eyes to the strange otherworld around him. With help from the ghost Willy T, an enigmatic White Woman named Iku, an African Loa, and a devious shape-shifter, Cinque gathers the tools to confront the ghost of his dead father. But he will learn that sometimes too much knowledge can be dangerous—and the people he trusts most are those poised to betray him.
First four chapters are free, depending on how good you are at solving puzzles.
Reviews – What’s Being Said About Tone Milazzo & Picking Up the Ghost
African magic and folklore color this unusual coming-of-age story . . . . [T]his debut entertains with an original approach and mix of breezy humor and dark fantasy.
If Salvador Dali were an author, his work might resemble Tone Milazzo’s Picking Up the Ghost. Okay, maybe Milazzo’s book has a little more structure than Dali’s melting pocket watches. But there is no doubt that Milazzo can paint a world with words, and the surreal setting he created for this coming-of-age adventure is both dazzling and terrifying. . . . [E]ven if you’re not an urban fantasy fan, I definitely recommend this book. Milazzo has unique style that is downright weird, but has a literary quality to it. I think we can expect more great stories from him.
If you have a website, especially one with a login interface, I suggest running a security check on it. My old host had a big fat F. It was a collection of compromised protocols.
It was time to move on to a new host. So far, SiteGround‘s been good to me. They’re security rates an A and I got a working SSL certificate out of it.
The working cert means I can run the Jetpack plugin. It takes WordPress to the next level. Now I’m more closely integrated with social media, some backend features, a bit more secure, a bit faster, and it includes subscription by email.
Unfortunately, I wasn’t able to bring over my old mailing list from the old plugin. So if you subscribed before, you’ll have to subscribe again. The form’s in the sidebar.
The experience, plus building my theme from scratch, has made me appreciate WordPress as an environment. I’d like to take up WP development as my day job.
When I set up http://tonemilazzo.tumblr.com/ I didn’t realize it was a subblog to my main tumblr, fuckyeahhummingbirds. Subblogs are limited and I kept logging into the wrong blog. So, I deleted tonemilazzo and renamed fuckyeahhummingbirds. I don’t know how that might have affected those of you who followed the original tonemilazzo so here’s the link again.
Computers are hard… let’s go shopping!
On the plus side, this version looks a lot better.
Since I’m staying with the same basic layout and color scheme, most of the newness is under the hood. Can you believe I’ve been using that same grainy, gray background image since 2003? What can I say? It matches my business card.
The new theme is written in HTML5 and CSS3 with Bootstrap. I like Bootstrap for the same reason I used to pump CSS through jQuery. It handles the different browsers nicely without thinking about it too much. Now that we have to think about mobile devices it takes a lot of the weight off that development. Go ahead and call up the page on your phone. The layout changes. The sidebar becomes a footer and the posts and header expand to take up the full screen.
I also did what I could for Search Engine Optimization. I’ve had the SEO for “tone milazzo” locked down for 15 years, but a little more traffic can’t hurt. Google’s made mobile friendliness a ranking priority. I also added schema to make the site more machine readable. Because machines buy lots of books, mostly digital. That’s what I heard.
Next, I have to get the SSL certification straightened out. So I can use WordPress’ Jetpack plugin. For those of you who subscribe to this blog by email, that’s going to be a change. Hopefully, a small one.
What does all this computer stuff have to do with writing? Now that The Faith Machine is moving into its third draft, I’m hoping to barter web development for editorial or even publicity. I’ve seen editors’ web pages, there’s a market for this exchange.
Now that the blog’s all pretty-like I should use it more. 9 posts in the last year? That’s pathetic.
Problem: I have a team seven protagonists and this isn’t an origin story. Since they all know each other, they’re mobilized right away. Originally, the team leader spent two chapters traveling the country and activating his agents in a sequence not unlike Ocean’s Eleven.
However, that’s a lot easier to pull of in a visual medium. No one watching a movie is going to confuse Bernie Mac with Brad Pitt. In particular I had two women on the team that readers were confusing, Polly and Gabby.
Initial solution: Clearly, the spellings of Polly and Gabby are too close, so I replaced Polly with the full name Pollyanna. I also increased Pollyanna’s potty mouth and her a love of literature (dropping lit references in conversation) while cleaning up Gabby’s language and dumbing her down a bit.
Further solutions: 1) Cold Open: I’m going to extend the book with an action sequence at the beginning that’s loosely related to the rest of the novel, like in some James Bond movies. That’ll give me 2000-3000 words to introduce three of the four characters before jumping around the country for the other four.
2) Character Dossiers: Since this is an espionage story I can write up one page reports on the protagonists from the point of view of the spy master. They’ll come in after each character’s introductory scene and if the ink bleeds into the edge of the page readers can easily use them as reference. Like how fantasy novels used to have a reference appendix.
After this rewrite, I’ll try it on another series of beta readers. If they’re not confused then I’ll know if it worked.
Another year and another instance of San Diego’s primary contribution to culture, Comic Con.
A respectable 11 inches of books for under $500. That’s counting money spent on food and drink, and not including the statue of Krypto because that’s cheating. I’ve read all of this except the two novels and two of the graphic novels. Expect a future post on the best of the Stack.
I’ll also have a future post on pitching; the act of selling a publisher or other investor on a story. I learned a lot about pitching that weekend, that was my main takeaway beyond the books. Excellent timing too, since I’ll be doing just that at the SoCal Writers’ Conference in September.
I’m going into Comic Con in a good head space with baggage cleared.
One the software front, I released the Android version of Texts From Jesus last week. Software is never really done. We have plans to add multiple languages to the app starting with Spanish. Once we have all the major languages covered… Texts From Buddha
In fiction news, The Faith Machine is almost at the end of its second draft. I’m working shopping the last three chapters tonight. I have a few more versions to make, plot and character threads to cut or tie off, and a cold open to write, but if all goes well and if Con leaves me as creatively charged as it usually does I should be into third draft next month.
I’ve been attending Jonathan Maberry‘s Writer’s Coffeehouse meet-ups at Mysterious Galaxy. It gives me that same creative charge Con does, but in a more manageable amount. Like an IV drip.
What I don’t have is a series of good pitches for Comic Con, a skill I really need to work on. But there’s two days until Con and who needs sleep anyway?
How about you? How are you doing?
The Faith Machine first draft… done. 88,227 words is a tad on the short side. But I have a lot of scenes in the last act that need fleshing out beyond the dialog. And I plan on throwing on ten action packed and unrelated opening pages, ala a James Bond movie. Not to mention everything I forgot to write. That Hellfire missile I foreshadowed in the second act, totally forgot about it in the third. And I never showed the consequences of the villain’s success before he was defeated. That’s got to go in there somewhere.
Next: I take a week off to clear my head, even do some camping. Then I give the entire document a few pass-throughs. Like an iron pressing out the wrinkles. I’ll be looking for plot threads that changed or were lost over the last year. There used to be three clones floating around in tanks, now there’s one. Most importantly, make sure everyone’s agenda leads them to the climax. And I’ll be looking for opportunities to foreshadow elements I thought of while writing the last half.
I like the second draft. This is where I pretend that someone else tried to write my novel and it’s my job to fix it. I mean look right here, he forgot about the Hellfire missile.