2012/12/03

In The Hizzy

Filed under: Uncategorized — Tone @ 1:03 PM

Well we finally moved out of the apartment and into full-time adulthood. The only life-marks left to hit now are retirement and death woo hoo! Seriously though it’ll be nice to have control of our environment for a change, well mostly. I guess we can’t do too much about the guy in the camper who makes our block part of his schedule.

I also leaned that packing and unpacking is much harder when you have a kitchen and a full entertainment system. I kinda miss that about being a single dude who did everything on his computer.

Couple of hangups:
1. For a week there was a hole on the wall where we took out the fake mantlepiece. That hole led down into the crawlspace under the house and gave the living room a House of Leave vibe.

2. Electricity is not overrated. We spent the Thanksgiving weekend without power. But I’d much rather do without power than water. I can light a candle when it’s dark, there’s no equivalent to that when you gotta poop.

3. A place for everything and everything in it’s place. We ordered The Ultimate Bed for storage (and it will someday serve as our coffin, hence the name) but we can’t put the bead together until we stain it in the driveway. And it keeps threatening to rain. So all our clothing is temporarily on the bookshelves.

But man, is it quieter here than in the apartment that was next to assisted housing.

2012/10/30

World Fantasy Toronto – Facing the Storm

Filed under: Book Stuff — Tags: — Tone @ 9:30 AM

As of this posting it looks like Hurricane Sandy is taking a hard right up the coast to Maine so I should be in luck weather-wise. You never hear about planes getting knocked out of the air by a storm but there’s always a first time.

Exciting times ahead, I’ll be moderating the following panel:

THE CHANGING FACE OF YA FANTASY, 10:00 a.m. VAUGHAN WEST
Fantasy works for young adult readers have changed over the years, perhaps even more than their counterparts for adults. The themes tackled are more cutting-edge; a wider variety of cultures is explored; locations are often more realistic, more gritty and urban, than in the past; a more diverse cast of characters is brought into play; and the heroines and heroes are perhaps more realistic than their predecessors. Our panel will discuss the popularity of YA fantasy, its changing face, and its future.
With Laura Anne Gilman, Hiromi Goto, Morgan Keyes, Amanda Sun.

2012/10/24

(my list of) Best Original Graphic Novels of All Time

Filed under: Uncategorized — Tags: — Tone @ 8:25 AM

On Friday I was on my very first panel with Erik Bear and Jackie Estrada. A great way to get my feet wet. The hardest part on the day of was carrying in the ten books. But it did require a lot of preparation. ‘Original’ was the hard part of composing this list, so many comics are serialized first. But from my collection my picks were:

  1. Odysseus The Rebel Admirable for breaking from the traditional Odyssey mold.
  2. The Bloody Benders My favorite Rick Geary true crime book
  3. Pride of Baghdad based on a true story of tragedy and war.
  4. Batman: Arkham Asylum inspired the video game, the original story is a much deeper exploration of the madness of Batman
  5. X-Men: God Loves, Man Kills this made me take superhero comics seriously
  6. Fables: 1001 Nights of Snowfall I’m cheating here since this is a collection of short stories but hey, it’s great so there
  7. Meanwhile a choose your own adventure for the 21st century
  8. King David a warts and all tale of the Hebrew king
  9. Alice in Sunderland not just one of my favorite comics but one of my favorite books. A fascinating history of Sunderland England and a demonstrations of what can be done in the comics medium.
  10. A Tale of Sand based on a screenplay by Jim Henson in his pre-muppet days

Here’s a little clip HamerskyOnComics recorded.

2012/10/16

San Diego Comic Fest Panels I’ll be Gracing

Filed under: Uncategorized — Tone @ 8:21 AM

Here ‘s my schedule for San Diego Comic Fest. I’m going to have a busy Saturday.

Best Original Graphic Novels — Friday, 11 a.m., Crescent Room.

We asking panelists to bring their separate lists of the top 10 graphic novels of all time, then compare notes and see where they agree and disagree. To be clear, we’re limiting this discussion to original graphic novels, not books that were first serialized such as Watchmen, Dark Knight or Maus. Bring your own list! With: Erik Bear, Jackie Estrada

Pros and Cons of Writers Workshops — Saturday, 11:15 am-12:15 pm, Crescent Room.

Writers workshops offer a rigorous environment in which fledgling writers learn how to improve their skills in a supportive environment. Or, writers workshops place newbies in an insular atmosphere with perspectives limited by jealousy and back-biting. Discuss, with examples if possible. With: David Brin, Tone Milazzo, Mark Teppo

Fantastic Here and Now — Saturday, 12:30-1:30 pm, Eaton Room.

Many fantasy writers don’t bother with world building but instead set their stories in the “real” world with a twist. Is this creative freedom or creatively limiting? Some questions that may be considered: Why here rather than there? What does the real world have to offer the fantastic? Why not now: Is the fantastic an easier fit in the past? What time and era in history has the most untapped potential? With: Mark Teppo, Vernor Vinge.

Hard Science Fiction vs. Science — Saturday, 2:00-3:00 pm, Garden Salon 2 Room.

After decades of false promises, from jet packs to virtual reality, have people given up on science fiction’s predictive qualities? Where does that leave science fiction? Does it matter? Questions to ponder may include: If an SF story is debunked by science, is it still SF? Without faster than light travel, where can a hard science fiction writer find good aliens? Are time travel stories still interesting if they require an accelerator ring around the solar system? What technologies have not been tapped for future stories? With: David Brin, Stephen Potts, Vernor Vine.

Sticking with Traditional Publishers — Saturday 4:15-5:15 pm, Crescent Room.

Self-publishing is the vogue today not just in comics (see above) but in the world of books without pictures as well. But many creators, both in comics and book publishing, have chosen to remain with traditional publishers. What are the advantages and disadvantages of this approach? With: Terry Kemp, Batton Lash, Russell Nohelty.

2012/10/11

MorrisonCon

Filed under: Uncategorized — Tags: — Tone @ 10:35 AM
MorrisonCon

We spent last weekend in Las Vegas for MorrisonCon an event honoring one of my favorite writers, Van Morrison.

The trip did double duty as our first vacation since our honeymoon. Normally Vegas is where single people try to have sex so I think that we had a better score card than 90% of the people staying at The Hard Rock Casino where the music industry intersects with the douche bag industry. I’m not being fair to the casino, with their tribal tattoo carpeting and Ed Hardy wallpaper the facility wasn’t inherently douchy, that is until they booked Pauly D from the Jersey Shore as the weekend DJ. The place was packed with ‘roided up dudes and tanning bed babes but they mostly sequestered themselves to the pool. On the plus side, the muzak and the food was top notch. If you’re ever there for lunch get the cheeseburger at Culinary Dropout, it’s like a Big Mac made right, and so totally unlike a Big Mac.

I think there’s a place for boutique conventions like this and if people had more spending cash there would have been more butts in seats. It was refreshing to sip a Jamaican Coffee while listening to the panelists talk about the comic book industry and with only one panel going on at a time it really relieved the anxiety of prioritizing panels at Comic Con, not to mention no lines and no crowds.

But I didn’t feel like the talent were any more accessible than at any other convention. Melissa got some face time with Robert Kirkman on Sunday morning but he was so hungover he resembled an extra on The Walking Dead. And I didn’t see any sight of the writers on either party night outside of Grants spoken word performance on Friday. Except Jason Aaron the one writer who I’ve never read and didn’t have anything to say to, yeah I saw him a lot. In the lobby, at the club, in the hall everywhere I turned there was Jason Aaron. Che chee chee, ahh ahh ahh.

My biggest disappointment was with myself. I’m still really bad at this whole ‘networking’ thing. Once the conversation gets going I can usually make a good impression for a few minutes, but breaking in, making that contact it tough for me. I just assume that people don’t want to be bothered. That’s something I have to work on, along with my next novel. Because I want to be taken seriously at one of these conventions someday.

2012/10/03

Gimme that Old Time Horror

Filed under: Uncategorized — Tags: — Tone @ 1:35 PM
Gimme that Old Time Horror

Miguel, Matt and I give Stephen King the what-for and the bum-rush on Monster Island Resort #83.
If it sounds like we don’t like him it’s just out of jealousy.

2012/09/17

Getting down with the publication

Filed under: Uncategorized — Tone @ 12:29 PM
Getting down with the publication

Mall of the Orange King has been published in the latest Encounters Magazine, bitches!

2012/09/12

Story – Strange Times on Adams Ave.

Filed under: Uncategorized — Tone @ 5:00 AM
Story - Strange Times on Adams Ave.

Here’s a little something I wrote for The Discover Adamas Ave. free weekly

Adams Avenue Books had become very popular now that the used bookstore carried books from the future. Ryan was waiting behind a dozen people to make his purchase when a robot snatched the book from his hand and bounced through the crowd of customers out the door. He recognized the model; it was a ChronoRegainer-HH, sent from the 41st Century to undo the damage of the Timequake. They would pop in, grab something dangerous to the future, like a book or a computer, and dash off to God knows where. By the time Ryan made it through the crowd the robot was halfway down the next block. He desperately needed that book. His future depended on it in more ways than one.

So Ryan ran after the robot and didn’t see the dinosaur waiting in ambush. It was a species from an undocumented genus under the Dromaeosauridae family, something like a Velociraptor but telepathic, one of three psychically active species from the Cretaceous Period. Though only 150 lbs, the dinosaur had a high self-opinion and he had taken the name Mentalsaurus Rex. Three days ago Ryan had hit it with his Toyota Corolla and it had been after him ever since.

Rex ruffled his feathers and went after the human who was chasing the robot.

Ryan sprinted past DiMillie’s Restaurant, where the prices had been rolled back to the 1970s along with the staff and décor, and ran into a red-headed woman with a red-bodied dog as she stepped out of her apartment. She hit the ground with an “Umph” and dropped her leash. The dog cowered against a car. The redheaded woman, still stunned from the fall, called, “Sophie!” after the animal.

Sophie looked at her owner, looked at Ryan, looked behind him at Mentalsaurus Rex and something inside her walnut-sized brain clicked. The dog was afraid of everything and everyone when awake, but in her dreams she was a hunter of these reptilian, birdlike creatures that walked on two legs. This was her moment, her destiny, to destroy this dinosaur in retribution for some distant, mammalian ancestor. Eyes narrowed, canines bared, she exploded in a fury of teeth and hair, stopping Mentalsaurus Rex cold.

“What does the hairy four-legs want?” no one heard. The essential, wordless thought broadcast directly into their brains. Mentalsaurus Rex jumped up on a car to get away from the dog. Ryan helped the redhead up and went after the robot again. It had crossed the street to Smitty’s Auto Service where the mechanics pored over a Ford Model T in one bay and an anti-gravity vehicle in the other.

Ryan cut across Adams to get after the ChronoRegainer-HH. Mentalsaurus Rex cut across Adams to get away from Sophie the dog.

The robot tried to cross Hawley and was hit by a delivery truck from the 1930s or a UPS truck from today, it was hard to tell the difference. The impact propelled it through an open window into the Shawee Place run by a group of Kumeyaay Indians from an alternate 2012. When it hopped out through the front of the hatched stick building it was slightly dented and covered in acorn paste.

Man and machine scrambled up the next block, a pile of wreckage from the late 21st Century and away from Blind Lady Alehouse which was once again a blinds and drapery store from the early 20th century.

The robot loped past the Starbucks from 2112. Emphasizing the Star in Starbucks, it was decorated in a black and green, interstellar whaling theme. The coffee shop projected a holographic advertisement of a rocket-riding, Nantucket harpooner that chastising the robot for not buying the legal minimum of Starbucks coffee.

The man ran after the robot, past the New Masonic Temple from 2443, watched by the great, knowing eye atop its glowing, silicone pyramid.

The dinosaur ran after the man, past the Villainous Lair comic book store and collided into a customer leaving the store. One hundred and fifty pounds of predatory dinosaur impacted with 300 pounds of ponytailed comic book guy, and Mentalsaurus Rex was bounced to the curb. The man in a button-down shirt depicting a red, fire-breathing dragon froze, wrongly assuming that the dinosaur couldn’t see him if he didn’t move.

Mentalsaurus Rex glared at the man and thought at him, “What is that absurdity on your clothing?”

“Sophie!” cried the redheaded woman, far behind.

“Woof!” barked Sophie, closing in on Mentalsaurus Rex.

The dinosaur thought, “You are lucky, bacon-smelling one,” at the comic book guy before resuming his escape from the dog and pursuit of the man.

The dog ran after the dinosaur and her destiny.

Up ahead the robot turned and, with a knowing nod at Ryan, dove into Lestat’s Coffee House. The original building was still there, but juxtaposed with some far future where thought and matter were one, where the line between the material and the mental was blurred. The new physics inside these walls was temperamental, subject to the whims and impressions of its residents. It was a place where art would walk. The frozen coffee drinks were still great.

Ryan couldn’t stop to think. Thoughts could come alive in Lestat’s and the robot, a mindless entity, was unobstructed. But Ryan knew that as a living emotional being the rules were different. He’d seen a personal meltdown become a physical meltdown when teenage runaway flipped out and Lestat’s reacted by swallowing her in tendrils of darkness for an hour. He took a breath, let everything go and told his legs to move.

The robot tried to navigate the sliver of space between the wall and the counter. Its round body was a bit too wide and as it attempted to hop and roll over the obstacle Ryan caught it around the ankle and pulled, dropping the robot on the floor faceplate first.

Mentalsaurus Rex burst through the screen door and everything changed. The room bent to the will of the strongest mind in the room. Ferns burst through the walls, the ceiling opened up to the sky and then closed under a jungle canopy. The robot and Ryan rolled over into a creek filled with a dozen extinct kinds of fish.

“Ah, home. Free from the noise and the smells of mammals and machinery. How can you creatures call your world ‘progress’ when it came from– Gagh!” Sophie’s teeth sank into the dinosaur’s tail, interrupting his pontification.

Mentalsaurus Rex snapped at the dog but missed. “Hairy morsel! How dare you? In this place I am king! Feel the powers of my kind!” and the force of his mind ripped waves of distorted light toward Sophie, an emotional barrage that his species used as weapons in their psychic battles.

But Sophie was prepared. In her dreams she overcome all manner of tortures and trials, hunted and destroyed dinosaurs in all their forms. Here in Lestat’s, where thoughts were made real, the world’s most powerful telepath faced off against its most powerful lucid dreamer.

Sophie expanded her consciousness and her form until she stood ten feet at the shoulder. The dinosaur dangled from her jaws by its tail like a lizard. Mentalsaurus Rex screamed at the indignity and bit at her throat. The dog shook the dinosaur like a shredded tennis ball.

The robot kicked off Ryan’s grip, stood up and ran for the back of the building which was now a jungle. Sophie’s massive paw came down on it, crushing it flat. The one mandible clutching Ryan’s book stuck out from between her toes.

Ryan caught the book as it tumbled from the robot’s hand toward the creek. While the monsters fought above him he reread the cover to make sure the robot hadn’t pulled a switch in all the confusion. The Implications of the Day Time Broke on String Theory by Ryan Templeton, written by his future self. This would provide insights into what happened to the world, but more importantly he could pass it off as his PhD thesis and coast through the next two years of school.

“Hey!” someone said and Ryan looked up from the precious pages to see a barista holding a spray bottle at the end of his tattooed arm.

“Nooooo!” he cried, shielding the book with his body, protecting it from the liquid onslaught.

But the barista wasn’t water gunning for Ryan, he had his eye on bigger game and sprayed Sophie in the face three times. “Bad dog!”

Subdued, Sophie lost her grip on the dinosaur on the upswing and it flew up through the jungle canopy as it reverted into the roof. With Mentalsaurus Rex out of the area, and Sophie reeling from the water, the coffee shop returned to normal, or as normal as it ever got. A homeless man named Tom walked past Ryan while talking on a sugar shaker like it was a cell phone, oblivious to all that had transpired.

The redheaded woman caught up to her dog and pulled the beast outside as the barista lectured her about Lestat’s strict ‘No psychically active dogs” policy. Mentalsaurus Rex recovered from being thrown into Jyoti Bihanga, the vegetarian restaurant, and slinked away, grateful that no other dinosaurs had witnessed his humiliation in the jaws of the furry beast.

Ryan was about to offer to drag the robot out to the dumpster, or recycling if that applied. It was the least he could do since the barista cleaned up his temporal mess. But a ChonoRegainer-HH Mark 2 snatched the book from Ryan’s hand and rushed for the back door. The Mark 2 was thinner than the Mark 1 and easily slipped past the counter…

2012/08/29

Faith Machine Schematics

Filed under: Book Stuff — Tags: — Tone @ 8:00 AM

2012-08-23_17-07-46_404.jpg
Here’s page one of The Faith Machine outline.

The first act is pretty solid and the second act is coming together. I figure the third act won’t take too long to outline since I’ve had most of it in my head since day one but I’ve said that before.

Last weekend was spent transcribing into Google Docs. I’ve been walking around with 40 scenes of outline and about 10 more pages of miscellaneous notes, putting far too much faith in my ability to hold onto things.

I thought I had a solid outline for Picking Up the Ghost but it broke down towards the middle and I didn’t get any feedback on it. I’ll be running this outline by some people before the actual writing starts and hopefully I won’t have to rewrite the second half of this book.

This has also helped juxtapose and manipulate ideas before they gel. Originally I had five golden rings as MacGuffins but not only are rings played out but they were supposed to be relics of the Soviet Union and small and shiny doesn’t evoke the USSR so I changed them to big clunky chairs. This demobilization had all kinds of implications for the cast and plot which I would have been reluctant to do if I was 40 pages into the prose. But in an outline it just took a few hours to adjust.

Outlining rules. \m/ \m/

2012/08/17

Curiosity, The Movie

Filed under: Uncategorized — Tone @ 8:07 AM

EXT. MARS ATMOSPHERE

The Mars Science Laboratory pierces the atmosphere of Mars as the parachute opens and the backshell detaches.

SFX: THUNK

EXT. MARS’ SURFACE

The rockets of the sky crane fire while clutching the rover. The sky crane lovers the rover to the surface of the planet, cuts the cables and speeds off in an arc. Smashing into a distant hillside while the Curiosity rover begins to unfold.

VOICE
NASA sent the Curiosity rover to Mars looking for signs of life.

SFX: THUNK

EXT. MARS’ SURFACE

Curiosity casually rolls across the landscape stopping to take a sample from a promising patch of dirt.

CUT TO:

Close up of the Alpha Particle X-ray Spectrometer (APXS) reaching down to the soil.

VOICE
They went looking… in the wrong place.

SFX: THUNK

A human hand bursts forth from the earth (or does it burst forth from the mars?) and grabs the APXS. The rover pulls back in shock but the hand holds firm and as the rover rolls back it pulls the hand’s owner up out of the dirt. A Zombie! The undead fiend hisses in the rover’s Mastcam as other zombies begin to burst forth from the ground. Curiosity is surrounded.

CUT TO:

A panicked Curiosity hides from a pack of zombie behind a large rock.

VOICE
Alone.

CUT TO:

Curiosity rolls up a crater’s edge to escape a pack of zombies. When it hits the crest it discovers the massive crater is filled with thousands of zombies.

VOICE
Outnumbered.

CUT TO:

Night. Curiosity is looking up in the sky towards Earth and is tapping out S.O.S. in Morse Code.

VOICE
And 350 million miles from home

CUT TO:

Day. Curiosity considers one of its appendages.

VOICE
This is where science ends…

A short montage wherein Curiosity detaches some of its parts and rebuilds them as an energy weapon.

PAN BACK:

Zombies are closing in from behind but the Curiosity isn’t worried now that it’s armed.

VOICE
…and violence begins.

CUT TO:

Curiosity rolls though the mob of zombies, crushing them with it’s newly spiked wheels and incinerating them with it’s energy weapon while ‘We’re In This Together’ by Nine Inch Nails kicks in at full volume.

VOICE
Red planet. Dead planet. In 2012 NASA will show Mars what a killer Curiosity can be.

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