The Stack 2016

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Coming in at 14 inches and about $800, I present The Stack 2016. I made a real effort to stay out of those 50% off bins, that helped save my back.

Professionally, the convention went as well as could be expected. Comic Creator Connection put me in touch with a very promising artist for Dead Woman and another for Hayseed Hercules. My science-fiction-beats-Cthulhu pitch was dead in the water as none of the artists knew much about the Mythos.

Me: This story takes place 10 years after humanity defeated the Mi-Go in their first interplanetary war.
Artist: What’s a My Go?

Networking at Comic Con is always awkward, especially as a writer without an artist. The artists in Artist Alley seem to be after the on-the-spot consignment money, and I didn’t want to interrupt the publishers as they were talking about their party plans. Next year, I need to have full project submissions, script and art, if I’m going to break in there. That’s the goal.

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The Stack, 2015

Another year and another instance of San Diego’s primary contribution to culture, Comic Con.
A respectable 11 inches of books for under $500. That’s counting money spent on food and drink, and not including the statue of Krypto because that’s cheating. I’ve read all of this except the two novels and two of the graphic novels. Expect a future post on the best of the Stack.

I’ll also have a future post on pitching; the act of selling a publisher or other investor on a story. I learned a lot about pitching that weekend, that was my main takeaway beyond the books. Excellent timing too, since I’ll be doing just that at the SoCal Writers’ Conference in September.

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Comic Con 2014

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It was an amazing Con. I learned a lot and got to see Con friends. Spike’s brain was ripe for the picking on Tumblr techniques. Accidentally wandered into the Grant Morrison Multiversity panel, scored a Map of the Multiverse, and turned it into Reddit Karma. Bore witness to a recording of Pop Culture Happy Hour. Possibly broke a toe on Saturday morning. Did that stop me from walking the Con floor for the weekend, fuck no it didn’t. Of course the one TV panel I wanted to get into left me standing outside, typical Venture Bros.

The Pro Lounge used to be a barren wasteland of free coffee and empty tables, but this year I met someone every time I stopped for a rest. I’m going to spend more time there next year.

The high point, what really recharged my battery: I asked Geoffrey Thorne about leveraging my novel work into comic and TV mediums. His said not worry about that, keep producing quality content and the work will find you.

I’d better get back to writing.

It’s the most wonderful time of the year.

And it’s less than a week away. Ah Comic Con, my favorite holiday. And even though I’ll have a pro badge, a valid one this time, I still don’t quite feel like I’ve arrived. Picking Up the Ghost doesn’t come out for another month and because of the Canadian mail carrier strike I might not even have an advanced reader copy with me as proof of my adequacy.

Stupid postmen.

But there’s money to be spent, $100 maybe $200. And the panels look pretty good. Lots of Grant Morrison. I’m breaking my no TV and movie panel policy for a chance to see Joe Hill talk about Locke & Key. And many more writer-centric panels to give me a place to learn and sit down. And some panels that just seem quaint; Beavis and Butthead, Napoleon Dynamite and three Lost panels? Really?

My Sched: http://mysched.comic-con.org/tonemilazzo

Is it just me or is the MySched less spectacular this year? I can’t seem to connect with my many and vast social circles.