It spent years in the incubator, due to day jobs and other commitments, but I can finally say The Faith Machine is a complete, readable, and finished. At least until an editor tells me otherwise.
I processed the feedback from my gracious beta readers, made cuts, fleshed out descriptions, and added a whole new chapter to show what’s at stake if the bad guy wins. At 96,993 words it’s a little on the heavy side but within the limits.
While I query agents, I’ll be working on 7 short independent pieces that follow up after this book, to build a body of work around my heroes, Project Dead Blind. Short fiction can reach into markets that a novel can’t, published or not.
But for tonight, I’m just happy to be done.
The Query letter, for the curious:
The Faith Machine is a science fiction novel of international action, espionage, and E.S.P. What if James Bond were to lead the X-Men through the X Files? Where psychic powers are linked to mental disorders, and a little bit of power means a life spent resisting corruption, and dodging assassination.
Doctor Ken Park is a Korean-American spy with a PhD in psychology. He’s the field commander of Project Dead Blind, a team of six unruly, paranormal agents. Among them is Park’s right-hand woman Ainia, a Latina who believes she’s a reincarnated Amazon warrior, Isaac Deal, who can mimic the skills of those around him when he’s on a bi-polar high, and Pollyanna, a depressed cynic with the unreliable power of positive thinking.
Sent to Africa to recover a Soviet psychotronic super-weapon, their mission is a failure. An agent is wounded and their target is destroyed. The team is scattered and pursued across America by the FBI, the Chinese Bureau of Spirit Suppression, and the mysterious Casemen.
The Faith Machine will appeal to readers of Tim Powers’ Declare, Grant Morrison’s The Invisibles, and Jon Ronson’s The Men Who Stare at Goats. It’s complete at 96,993 words.
My first novel, Picking Up the Ghost, was published by ChiZine in 2011 and optioned for film by Breaking the Cycle Films LTD.
Thanks for your time and consideration. I hope to hear from you.
Problem: I have a team seven protagonists and this isn’t an origin story. Since they all know each other, they’re mobilized right away. Originally, the team leader spent two chapters traveling the country and activating his agents in a sequence not unlike Ocean’s Eleven.
However, that’s a lot easier to pull of in a visual medium. No one watching a movie is going to confuse Bernie Mac with Brad Pitt. In particular I had two women on the team that readers were confusing, Polly and Gabby. Initial solution: Clearly, the spellings of Polly and Gabby are too close, so I replaced Polly with the full name Pollyanna. I also increased Pollyanna’s potty mouth and her a love of literature (dropping lit references in conversation) while cleaning up Gabby’s language and dumbing her down a bit.
Further solutions: 1) Cold Open: I’m going to extend the book with an action sequence at the beginning that’s loosely related to the rest of the novel, like in some James Bond movies. That’ll give me 2000-3000 words to introduce three of the four characters before jumping around the country for the other four.
2) Character Dossiers: Since this is an espionage story I can write up one page reports on the protagonists from the point of view of the spy master. They’ll come in after each character’s introductory scene and if the ink bleeds into the edge of the page readers can easily use them as reference. Like how fantasy novels used to have a reference appendix.
After this rewrite, I’ll try it on another series of beta readers. If they’re not confused then I’ll know if it worked.
I’m going into Comic Con in a good head space with baggage cleared.
One the software front, I released the Android version of Texts From Jesus last week. Software is never really done. We have plans to add multiple languages to the app starting with Spanish. Once we have all the major languages covered… Texts From Buddha
In fiction news, The Faith Machine is almost at the end of its second draft. I’m working shopping the last three chapters tonight. I have a few more versions to make, plot and character threads to cut or tie off, and a cold open to write, but if all goes well and if Con leaves me as creatively charged as it usually does I should be into third draft next month.
I’ve been attending Jonathan Maberry‘s Writer’s Coffeehouse meet-ups at Mysterious Galaxy. It gives me that same creative charge Con does, but in a more manageable amount. Like an IV drip.
What I don’t have is a series of good pitches for Comic Con, a skill I really need to work on. But there’s two days until Con and who needs sleep anyway?
The Faith Machine first draft… done. 88,227 words is a tad on the short side. But I have a lot of scenes in the last act that need fleshing out beyond the dialog. And I plan on throwing on ten action packed and unrelated opening pages, ala a James Bond movie. Not to mention everything I forgot to write. That Hellfire missile I foreshadowed in the second act, totally forgot about it in the third. And I never showed the consequences of the villain’s success before he was defeated. That’s got to go in there somewhere.
Next: I take a week off to clear my head, even do some camping. Then I give the entire document a few pass-throughs. Like an iron pressing out the wrinkles. I’ll be looking for plot threads that changed or were lost over the last year. There used to be three clones floating around in tanks, now there’s one. Most importantly, make sure everyone’s agenda leads them to the climax. And I’ll be looking for opportunities to foreshadow elements I thought of while writing the last half.
I like the second draft. This is where I pretend that someone else tried to write my novel and it’s my job to fix it. I mean look right here, he forgot about the Hellfire missile.